On the LEGACY of light
Caribbeanist Photography is not only about light, but about the legacy of light—we, who have eyes to see and bodies to be seen, are the inheritors of that legacy.
For all the seeing it can enable, this craft is one of conjuring our missing pieces—pieces missing from the start, or shortly after it. It is the collection and tenuous resetting of broken bones and of kept, forgotten pieces. It is a conjuring up of missing things that cannot be bestowed with sight alone, but also with vision. It’s what’s required to see what exists beyond the boundary of the frame and beneath the mystery of unexplored shadow.
Emerging from a need to respond to the ubiquitous stain of Empire, it does not memorialize, nor can it create what is not there to be seen. (In time, you will see that neither Mas nor this craft will allow those things.) It is, rather, the art of memory’s inadequacy, the declaration that there is something worth remembering, worth seeing, and worth looking for—and that it is gone away from you (returning, now and again, in parts, like a flawed lover to your mad and vulnerable days). We are here to embrace all of it, knowing we entangle ourselves as much in loss and missing as with challenges of sight.
— High Mas, 51